Interview with Katie Manning, Author of Hereverent
Katie Manning’s poetry collection, Hereverent, is out now from Agape Editions. She sat down to answer questions on her collection, line breaks in poetry, and what’d she’d be if she wasn’t a rhinoceros.
Jacquelyn Scott: Congratulations on your release, Hereverent! What is the significance of the title?
Katie Manning: The title is a portmanteau of “heretical” and “reverent.” It came about because I kept saying that this project was either the most heretical or the most reverent thing I'd ever written.
Scott: In Hereverent, you've taken Bible verses to make a piece of art. How did you decide which verses to use?
Manning: I used the last chapter of each book of the Bible. When I began the project, it seemed obvious to me that I needed to use the endings; I was dealing with the end of these texts as they were, and I wanted this to be the end of their use as weapons. When each poem stood alone, I used an epigraph that said “All that remains of [book title].”
Scott: You once said in an interview that Hereverent was created as a protest against Bible verses being taken out of context and used as weapons. Could Hereverent be a weapon against certain forms of religion it protests against?
Manning: I'm not really into weapons. I hope it’s something more like a shield, or to make a biblical allusion, I hope it’s something that turns swords into ploughshares, making weapons into tools of peace.
Scott: What message do you hope to convey to readers in terms of selfhood, belonging, and spiritual acceptance?
Manning: I think the book itself invites exploration and is open to interpretation, but I hope that’s also a message: all are welcome.
Scott: Which poem from Hereverent tells your story the loudest?
Manning: I love this question because I could've listed some favorites, but I hadn’t yet considered which poem might tell my story the loudest. I'm going to say “The Book of Class.”
Scott: You once said, “Upon first seeing a rhinoceros at the zoo at age 2, I said to my mom, ‘I want to be one of those when I grow up!’ I have settled for being a poet.” If not a rhinoceros or a poet, what would you be?
Manning: Well, I am also a professor and a literary journal editor and a mom and...but if I were going to be something that I’m not, I would definitely be a librarian. I worked in my college library and was a youth information specialist at the county library during grad school, and I was tempted to swerve off in that direction for my career. It’s especially delightful to help kids connect with books. I think I’d also enjoy being a bookstore cat.
Scott: What is your favorite literary device?
Manning: I adore alliteration (maybe too much).
Scott: How do you use line breaks to have the most impact in your poetry?
Manning: I use line breaks in different ways depending on the poem. Sometimes I use them for pacing, sometimes to create tension, sometimes to create multiplicity of meaning, sometimes for visual effect on the page...and sometimes more than one of these things at once!
Scott: What are you currently reading or working on?
Manning: I've been reading my way through all of Ada Limon’s books, and I just started Padraig O’Tuama’s new collection, Feed the Beast. I'm also reading Legends and Lattes, which is a charming fantasy novel. As for what I'm working on, I'm writing poems that use science as a foundation/lens to work through trauma and grief. The poems are sometimes more fun than that sounds...I have a dark sense of humor and tend toward playfulness in my writing style.
Scott: What is the best piece of writing advice you've received?
Manning: Write from your obsessions. It's better to let them work for you than to try to fight against them.
From Agape Editions:
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